Jam Econo

Name: The Surfer's Journal
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Feature • 5 min read

Beachside, street life, and other intimate moments through the lens of San Pedro’s Nick Green.

By Whitman Bedwell

Volume 30 Issue 4 (2021)

33.6
We Never Drive at Night

By Madelaine Dickie
33.5
Child of the Bomb

Screenwriter and director John Milius’ Cold…

By Peter Maguire
33.4
Tentative in Manabí

A flâneur’s search for a lid—and sand-sucking…

By Scott Hulet
33.1
Evolver

The 100 (or thereabouts) most impactful…

By Derek Hynd

Featured in

Volume 30 Issue 4

In this issue

On the cover: Yes, it’s still out there. Kael Walsh finds just what he’s looking for—and finds it all by himself—at quite possibly the most crowded lineup on Earth: the Superbank. Photo by Ryan Heywood. Peel back the lid, and the issue offers full-breadth in the topic. Wider-culture points abound, from an investigation into the seminal artist who first sprayed paint on a surfboard to an overlooked but holding region in Brazil. Tracking the path of a 60s-era luminary and an examination of the title-holder at one of the world’s heaviest waves provide in-depth written portraiture. Where place is concerned, a memoir of an 80s Baja mag trip and a visual study of the seasons and peculiarities of coastal New England set immersive scenes.

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Jam Econo

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Volume 30 Issue 4