The Eye of the Hunter

Name: The Surfer's Journal
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Feature • 20 min read

Derek Dunfee’s evolution from big-wave surfing to big-wave photography.

By Whitman Bedwell

Volume 29 Issue 3 (2020)

35.3
Captain Fun

The still photography of the late Sonny Miller.

By Jamie Brisick
35.2
Waterworld

Steve Wilkings captured an era at sea level…

By Kyle DeNuccio
34.6
Inside the Snow Globe

The cerebral and whimsical visual checkpoints of…

By Jamie Brisick
34.5
The Shapers Project

An extended look into Steve Baccon’s ongoing…

By Steve Baccon

Featured in

Volume 29 Issue 3

In this issue

Front Cover: Fin profile from a 1960s Plastic Fantastic kneeboard, re-imagined in five exposures on a single frame of film. Photo by Russell Spencer. Between the flaps, TSJ 29.3 spins its compass from dodging landmines in the Falklands, to an unassisted paddle journey from Alaska to Cabo, and to the river-wave surf scene springing up in Boise, Idaho. Shaper Donald Brink’s experimentations in surfboard sonics and Martin Machado’s oceanic etchings provide doses of written and visual portraiture, while the portfolio of Sarah Lee, Derek Dunfee’s intimate look at the modern big-wave stage, and Brad Barrett’s 1960s retrospective offer photographic page studies.

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The Eye of the Hunter

Related Articles

Captain Fun

Waterworld

Inside the Snow Globe

The Shapers Project

Volume 29 Issue 3