The Vee
Feature • 15 min read
In 1967, Bob McTavish’s Plastic Machine, and its unique bottom contour, helped usher in the shortboard revolution. More than 50 years after its initial creation, McTavish has found new life in the design—thanks to a fluke glass job and the interest of an Aussie doctor and surfer named Nick Vitko.
By Noah Dow
Volume 32 Issue 6
(2023)
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Volume 32 Issue 6
On the cover: Eurico Romaguera, redirecting his 9'9" Gato Heroi “Killer” off the top of a Moroccan runner. “The cat does not offer services,” wrote William S. Burroughs, a former Tangier International Zone denizen. “The cat offers itself.” Photograph by Simon Fitz. Further down the line, we check in with an alt-shaper designing in the extremes, view the work of a ’70s photo duo, critique a modern French impressionist logger, swot how a shaper and surfer are reinvigorating a bypassed theory, cruise with a zeitgeist surf auteur, survey an absolutely no-go Pacific island, and more.
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