Views From Kaimuki

Name: The Surfer's Journal
Price range: $

Feature • 13 min read

Quietly forceful, Joey Hamasaki was an Ala Moana beacon.

By Mindy Pennybacker Wallace

Volume 30 Issue 4 (2021)

35.5
Watch “Cat, Cat, Cat, Cat, Mouse”

Dylan Graves breaks down the history and…
35.4
Influences: Pete Cabrinha

What keeps the big-wave pioneer and artist’s…

By Pete Cabrinha
35.3
The Ride

Short fiction from 1967.

By John Milius
35.2
And Laird Hamilton Stands Out

In which a trip to Malibu to (nearly) drown in a…

By Chas Smith

Featured in

Volume 30 Issue 4

In this issue

On the cover: Yes, it’s still out there. Kael Walsh finds just what he’s looking for—and finds it all by himself—at quite possibly the most crowded lineup on Earth: the Superbank. Photo by Ryan Heywood. Peel back the lid, and the issue offers full-breadth in the topic. Wider-culture points abound, from an investigation into the seminal artist who first sprayed paint on a surfboard to an overlooked but holding region in Brazil. Tracking the path of a 60s-era luminary and an examination of the title-holder at one of the world’s heaviest waves provide in-depth written portraiture. Where place is concerned, a memoir of an 80s Baja mag trip and a visual study of the seasons and peculiarities of coastal New England set immersive scenes.

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Views From Kaimuki

Related Articles

Watch “Cat, Cat, Cat, Cat, Mouse”

Influences: Pete Cabrinha

The Ride

And Laird Hamilton Stands Out

Volume 30 Issue 4