Volume 28 Issue 3
In this issue, we anatomize Matt Wesson’s underground eyeball of Los Angeles, Waimea and Pipeline icon James Jones’ style mechanics, and the viscera of a road journey through West Africa. Artists Thomas Campbell and Alex Israel, water photographer Zak Noyle, and the homespun architecture of Lloyd Kahn add connective tissue.
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28.3
Unfamiliar Ground
Hurricane swell, missed opportunities, plein air childhood memories, and adult-stage surf conundrums.
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28.3
Independent Craft
An interview with Andrew Doheny.
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28.3
Extended Subversions
A gallery of abstraction and actuality from the set of Thomas Campbell’s Yi-Wo.
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28.3
Manmade/Homemade
Lloyd Kahn’s arc, from the balsa surf era, through New Age architecture, to off-the-grid publishing.
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28.3
South From Gibraltar
A West African diary.
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28.3
Mayhem and Beauty
The offhand noir of photographer Matt Wessen’s LA County series captures the duality of the Los Angeles surf-scape.
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28.3
The Privateer
Switch-stance hellman. Duke contest winner. Preternatural at Sunset and Pipe. First to get tubed at Waimea. James Jones was one of the most talented and fearless Hawaiian surfers of his generation.
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28.3
The Venn Diagram of Pop
Alex Israel’s work blurs the lines between fine art, superficiality, and appropriations of surf.
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28.3
Hazardous Positioning
The high risk, high reward of Zak Noyle’s water photography.
