Volume 30 Issue 5
On the cover: Nathan Fletcher takes a no-frills, only-pop-matters approach above the horizon line at Pipeline’s end. Photo by Dave Nelson. Inside, you’ll explore the surprising wave resources of an overlooked Caribbean island, chase right-hand points up the East Coast of South Africa, and study once-thought-lost photographs of Sydney’s burgeoning 1960s surf scene. Trace the surfing germ of a French playboy and socialite, and be schooled on the contributions of a contemporary big-wave pioneer. And for those seeking wider-breadth of the topic, check the seascape paintings of a nineteenth-century Swede, and hang in the yard with a modern California surf-boat builder. It’s a range found nowhere else in surfing.
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30.5
On Style
Line literacy.
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30.5
The End of the Lane
Increased connectivity and limitless “sharing” finds a coastal hideaway not just blown out, but downright dangerous.
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30.5
I Wanna Be Your Dog
An interview with Richard Marsh.
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30.5
Our Man in the Antilles
Chris Klopf shoots the Dominican Republic.
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30.5
First Among Equals
Andrea Moller’s accomplishments and commitment defy comparison. Just don’t count on hearing it from her.
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30.5
The Rake
Arnaud de Rosnay burned hot and bright. His demise at sea only elevated his legend.
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30.5
Evolutionary Stages of the Ectomorph
Bryce Lowe-White’s full-circle path behind the lens.
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30.5
North Swell
Tracing the surf connection in the expressionist paintings of nineteenth-century polymath August Strindberg.
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30.5
Going Right
Sprinting up Africa’s leg with Michael February.
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30.5
Running Under Load
Jeff Hull continues the Santa Barbara Channel wilderness boat legacy.
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30.5
I’m Not Here
Ron Perrott was instrumental in documenting 1960s surf culture—in both Australia and places beyond. Then he disappeared.
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30.5
A Terror From the Deep
Monster From the Surf puts a bizarre time stamp on the early 1960s surf boom.
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30.5
Showdown at Sunset Cliffs
A super session decided by the peer-review process.