Volume 33 Issue 4
In this issue, we pull into an understudied zone in South America, an outer-island hand-built home in Hawaii, and Paris’ 18th arrondissement—where an artist is hellbent on “transgressing surfing’s codes.” We also track a South African father and son’s experimental roots, study a Japanese artist’s interpretation of the human experience, and remember a late San Diego shaper’s indelible legacy.
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33.4
On Style
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33.4
Tuna Taper
From Darwin to Boeing, from Edwards to Greenough, we call upon the shaper to explain.
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33.4
Ripples of Distortion
Andrew VanWyngarden on playing in MGMT, recurring apocalyptic dreams, the psychedelic experience, and waves—both oceanic and sonic.
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33.4
Faces, Scars, Musculature
Portraiture from the North Shore of Oahu by Brown W. Cannon III.
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33.4
February
Watch “Changing Tempo,” a 15-minute film featuring Michael February in African point surf.
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33.4
This is Not a Surfboard
France’s Lucas Lecacheur & nature as culture.
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33.4
Portfolio: Group Show
Prime optics from 10 of the world’s best shooters.
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33.4
A Friend to Face the Current
The humanism and impending destiny of Yusuke Hanai’s not-lost souls.
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33.4
Tentative in Manabí
A flâneur’s search for a lid—and sand-sucking drainers—in Ecuador.
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33.4
The Common Man
Before his life and career were cut short, Bill Caster left an indelible mark on the San Diego surfboard industry—and the people who knew him best.
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33.4
Tropical Patina
Surf, trade winds, and an off-grid design-build in the Hawaiian outer islands with artist and craftsman Jay Nelson.
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33.4
Slab of Irish Rock
Among the scrum during one fine Mullaghmore day.
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33.4
Bright Crafts in Dark City
The DIY ethos of Asbury Park, New Jersey’s Glide surf shop and the Heavens factory.
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33.4
Sunset, That’s It
The simplicity of single-spot dedication.
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33.4
Monuments of Nonconformity
A short list of surfing’s true-blue originals.
