Volume 31 Issue 1
On the cover: David Nuuhiwa shows the 22nd Street locals some barrel-strength beachboy style. 1964, Hermosa Beach. Photographer LeRoy Grannis’ back-of-print note reveals it was a Friday. From the symbolic figures to the modern punters, the culture pillars to the remote outposts, the hero shots to the candid representations, TSJ 31.1 offers a perspective found nowhere else in surfing.
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31.1
On Style
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31.1
Young Blood
Youth is short, surfing is long. Finesse is required.
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31.1
Between Takes
An interview with filmmaker Stephen Gaghan.
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31.1
Portfolio: Group Show
Visual surf stimuli from the game’s best photographers.
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31.1
Among Piers
Whether world-renowned or mere beachside tourist attractions, these simple landings breed virulent surf cultures.
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31.1
The Station Hand
Whether running full pelt through the bowl or leveraging natural aesthetics Imogen Caldwell is desert born.
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31.1
Virtuoso
The dark and graceful swagger of David Nuuhiwa.
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31.1
The Intentional Line
For artist and designer Geoff McFetridge, clean presentation is the result of deep rigor.
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31.1
Song of the Sinosaurus
Circus rat to Rocket Fish. Epoxy to Hanjin container loads. Clyde Beatty defies easy criticism.
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31.1
Lonely in the Pacific
Lord Howe Island is all kinds of appealing. It starts with no cell service.
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31.1
Sessions Measured in Millimeters
Bodysurfing alone in the Pacific Northwest.
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31.1
Bull Droppings
Picking up after Greg Noll.
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31.1
Real Recognizes Real
Flippy Hoffman shows his colors offshore of a remote island in the Indian Ocean.
